Critical
Social Constructionist Research
Research
for me is the art of janus aesthetic which creates thing to construct both identities as researcher. While reading Jorgensena
and Phillips (2002), I visited my personal notes, memos and the concepts that I
have been interested in. I have huge list to categorize my conceptualization of
research and knowledge production. Each concept needs to be conceptually and pragmatically
unfolded. I made one collage to debate in this post. What I have from chapter
are democracy, truth, ideology, Taken-for-granted,
reality, critical. These are like boiling eggs in my minds, walking foxes
which seems never touch each other in my mind.
Fortunately,
I spent some time to think about power. While acting in any sense, I try to track
my weakness and strength. I carry my best comrades on my shoulder which reminds
me that I am human being and I am very open to make something both worse and
better. Society (it is necessary, but not sufficient to live in better) is the
place where there is a big potentiality to change me, as well as to give me a
chance to change it. As Heidegger claimed that, there are many things which
seem “always-already”, this external
existence could be “black hole” to take “me” away, or “artifact” that make me
awake.
CSCR
could be defined as the manifesto for reaching the art of aesthetic in the
methodology and epistemology. As I claimed, Hegel was right about the expectation
for the re-incarnation of philosophy. To think about both selves and
details in our everyday practices, the aesthetic of research is the proangelos (harbinger). The crisis of
human sciences forced us to get many “turns” which are known as linguistic, qualitative, critical etc. I
think that these were the proangelos of philosophical aesthetic in the
scientific artifact. It is still looking for its own base (plinth) to evoke us.
The Ghazal of Rumi given below could give us to some insights about this re-incarnation.
Ghazal
2133
wake
up, wake up
this
night is gonewake up
abandon abandon
even your dear self
abandon
there is an idiot
in our market place
selling a precious soul
if you doubt my word
get up this moment
and head for the market now
do not listen to trickery
do not listen to the witches
do not wash blood with blood
first turn yourself upside down
empty yourself like a cup of wine
then fill to the brim with the essence
a
voice is descending
from
the heavensa healer is coming
if
you desire healing
let
yourself fall illlet yourself fall ill
Translated by Nader Khalili
Rumi, Fountain of FireCal-Earth, September 1994
Democracy in research means that meaning/ truth could be intersubjectively conceptualized. In order to have this process, researcher could have an idea about how to make inquiry. The inquiry should be conducted with members of society, not about the participant. There should not be hierarchical relations to walk together. For example, the perception of the dichotomy on the subject and object (Cartesian) needs to be changed since we need to be aware of subjects relations to construct both ourselves and society. In this sense, the nature of truth should be open to be discussed (p.206). We have to be aware of the necessity of strong reflexivity since the knowledge production enables us to be productive. In order to produce the knowledge, we have to carry our criticality to see the taken-for-granted.
I call the aesthetic since it needs to be contemplative about social interaction. As researcher, we have to be aware of our existence and then the society where we live. This means that ideology is the patterns and intersections of persona and society, ideology is the structured believes, ideology works in our implicit and explicit everyday interactions. I never define ideology with pejorative sense. Ideology could be suppressed by having the aesthetic reflection about the social and personal artifact which is called “knowledge”.
Analogically, the transparency about the production, praxis and motivation makes researchers' artifacts more reliable and valid.